Theatre, dance, circus
- BANG!, Gnab Collective / Stage
- Destruction Song, K. Kvarnström & Co
- Discover Love, Belarus Free Theatre / Stage
- England, Tim Crouch / Stage
- Jerusalem, Berlin / Stage
- Maybe Forever, Meg Stuart & Philipp Gehmacher
- Opus 7, Laboratory of Dmitri Krymov / Stage
- Pirandello Project - On the Edge of Silence, Teatteri Metamorfoosi & Korjaamo Teatteri / Stage
- Radio Muezzin, Stefan Kaegi (Rimini Protokoll) / Stage
- Semianyki, Teatr Licedei
- Shukshin's Stories, Alvis Hermanis, Theatre of Nations/Stage
- Special Cases, Virva Talonen
- Sutra, Sidi Larbi Cherkaoui / Sadler's Wells London
- The Next Two Days of Everything, a smith / Stage
- The Trial, Dusan D. Parizek & Prague Chamber Theatre / Stage
- Tomorrow There Will Be, National Theatre - Opera, Prague / Stage
- Un cirque plus juste, Circo Aereo / Stage
- Zone of Silence, Belarus Free Theatre / Stage
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Maybe Forever, Meg Stuart & Philipp Gehmacher
A touching exploration of the challenges of love by some of the most exciting artists on the European modern dance scene. With a melodic guitar score to haunt and captivate the audience.
"Genuine rapport between Stuart and Gehmacher held the audience enthralled throughout."
Dance Magazine
Choreography and Dance Meg Stuart & Philipp Gehmacher
Live Music Niko Hafkenscheid
Dramaturgy Myriam Van Imschoot
Light Design Jan Maertens
Set and Costume Design Janina Audick
Sound Design Vincent Malstaf
Production Damaged Goods & Mumbling Fish
Co-production Kaaitheater, Wexner Center for the Arts, Théâtre de la Ville, Volksbühne am Rosa-Luxemburg-Platz
Premiere 7.6.2007, Brussels
The audience has a chance to meet the artists on 26.8 after the show.
Photo: Chris Van der Burght
"Genuine rapport between Stuart and Gehmacher held the audience enthralled throughout."
Dance Magazine
"'Maybe Forever' is a landscape littered with rusty physical conversation, with clumsy duets and solos and flashes of penetrating insight, and with bits of everyday life, like a discarded pair of white high heels and a bright-orange sequined party dress at the piece's sad ending."
New York Times
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